Meatloaf Bat out of Hell Music
by Meatloaf

About this Music

Described as epic, gothic, operatic and silly all in the same breath, Meat Loaf's testosterone-fueled, Springsteen-inspired masterpiece-the third best-selling album worldwide behind Michael Jackson's Thriller and AC/DC's Back in Black -was shopped around for years before Todd Rundgren began production in late 1975. Songwriting credit goes to Jim Steinman on You Took the Words Right out of My Mouth (Hot Summer Night); Heaven Can Wait; All Revved Up with No Place to Go; Two out of Three Ain't Bad; Paradise by the Dashboard Light; For Crying out Loud; Great Boleros of Fire , and the title track.

Overwrought and undeniable, Meat Loaf's Bat out of Hell remains both one of rock's biggest--and least likely--hit albums. The byproduct of a partnership between beefy singer Marvin Lee "Meat Loaf" Aday and fellow journeyman/National Lampoon Road Show cast member Jim Steinman, Bat out of Hell met 1977's vaunted Year of Punk with a blast of neo-operatic, Wagnerian-scaled bombast (based on Peter Pan, no less) that was as reactionary as anything the spiked set and their supporters could possibly imagine--13 million units worth, and counting. Bat seems to have thrived on the same formula that's made Andrew Lloyd Webber a multimillionaire knight: if you do kitsch, do it big. And what could be more kitschy and emblematic of the '70s than the ubiquitous "classic rock" (an overused adjective that applies all too well here) of "Two out of Three Ain't Bad" or the breathless nookie-quest, "Paradise by the Dashboard Light," replete with Phil Rizzuto calling the play-by-play? This digitally remastered edition also includes '78-vintage bonus live cuts of "Bolero" (the live show's equally over-the-top opener) and "Bat out of Hell" that showcase the production's energetic, perfectionist bent. The sonic upgrading here also underscores the oft-overlooked efforts of producer Todd Rundgren. --Jerry McCulley