i'll take them. yeah, she's kind of snobby like that. i try to get her to be open minded, but she always ends up thinking older stuff is more "real". she listens to some older rock that i don't lsten to. strange kid.
hey, not ignoring this, just hard for me to get on lately. i'm not exactly sure what you are looking for. are you just looking for a lick, or an idea to toy with? i suppose both would amount to the same thing. give me a bit, and i will put some more stuff up. in the meantime, (i never get to use that word) if anyone has anything to contribute, please do.
is anyone familiar with playing four note groupings, and how the one beat falls on the second note of the grouping when you reverse it from ascending to descending? then on the third if you reverse it again, and the fourth, if you do it again? it gives you four different ways to phrase the same exact lick.
suggestions? (7)
when i get a chance, i'll post some.
yeah, she's kind of snobby like that.
i try to get her to be open minded,
but she always ends up thinking older stuff
is more "real".
she listens to some older rock that i don't lsten to.
strange kid.
how about learning lick's shreds and the use of scales in that form for those wanting to advance in there style of music?
not ignoring this, just hard for me to get on lately.
i'm not exactly sure what you are looking for.
are you just looking for a lick, or an idea to toy with?
i suppose both would amount to the same thing.
give me a bit, and i will put some more stuff up.
in the meantime, (i never get to use that word)
if anyone has anything to contribute, please do.
is anyone familiar with playing four note groupings,
and how the one beat falls on the second note of the grouping
when you reverse it from ascending to descending?
then on the third if you reverse it again,
and the fourth, if you do it again?
it gives you four different ways to phrase the same exact lick.
not a coincidence, in a four note grouping.