amarcord

amarcord Movie (1973)

A series of comedic and nostalgic vignettes set in a 1930s Italian coastal town.

One year in a small northern Italian coastal town in the late 1930s is presented. The slightly off-kilter cast of characters are affected by time and location, the social mores dictated largely by Catholicism and the national fervor surrounding Il Duce aka Benito Mussolini and Fascism. The stories loosely center on a mid-teen named Titta and his household including his adolescent brother, his ever supportive mother who is always defending him against his father, his freeloading maternal Uncle Lallo, and his paternal grandfather who slyly has eyes and hands for the household maid. Other townsfolk include: Gradisca, the town beauty, who can probably have any man she wants, but generally has no one as most think she out of their league; Volpina, the prostitute; Giudizio, the historian; a blind accordionist; and an extremely buxom tobacconist. The several vignettes presented include: the town bonfire in celebration of spring; life at Titta's school with his classmates and teachers; Aurelio, Titta's father, at his beachfront construction worksite and his and his workmates' encounter with Volpina; Titta's confessions to the priest about his burgeoning sexuality; Aurelio being questioned by authorities about his anti-Fascist leanings; a fantasy sequence at the luxurious Grand Hotel; a family outing with Aurelio's institutionalized brother, Teo; many townsfolk embarking on a sail to witness a marine event passing by their town; an annual car race; Titta's fantasy encounter with the tobacconist after closing hours come true; events surrounding the big snowfall that year, including a family tragedy; and an event centering on Gradisca and her future.
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Movie Comments & Discussion

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Nino Rota (December 3, 1911 - April 10, 1979) was an Italian composer. He is particularly remembered for his work on film scores, especially The Godfather series and a number of films by Federico Fellini.

Rota was born into a musical family in Milan, and studied at the conservatory there under Ildebrando Pizzetti. Later, the conductor Arturo Toscanini encouraged him to go to Philadelphia, Pennsylvania to study. This he did, where he worked under Fritz Reiner, amongst others. He later returned to Milan, where he wrote a thesis on the renaissance composer Gioseffo Zarlino.

Rota wrote his first film score in 1944 for Zaza, a film directed by Renato Castellani. He later met the director Federico Fellini while the latter was working on his first film, Lo Sceicco Bianco. The two collaborated on many occasions, with Rota's score for 8 1/2 often cited as one of the main factors which makes the film more cohesive.

His score for Fellini's Juliet of the Spirits (1965) included a collaboration with Eugene Walter on the song, "Go Milk the Moon" (cut from the final version of the film), and they teamed again for the song "What Is Youth," part of Rota's score for Franco Zeffirelli's Romeo and Juliet.
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Storyline

One year in a small northern Italian coastal town in the late 1930s is presented. The slightly off-kilter cast of characters are affected by time and location, the social mores dictated largely by Catholicism and the national fervor surrounding Il Duce aka Benito Mussolini and Fascism. The stories loosely center on a mid-teen named Titta and his household including his adolescent brother, his ever supportive mother who is always defending him against his father, his freeloading maternal Uncle Lallo, and his paternal grandfather who slyly has eyes and hands for the household maid. Other townsfolk include: Gradisca, the town beauty, who can probably have any man she wants, but generally has no one as most think she out of their league; Volpina, the prostitute; Giudizio, the historian; a blind accordionist; and an extremely buxom tobacconist. The several vignettes presented include: the town bonfire in celebration of spring; life at Titta's school with his classmates and teachers; Aurelio, Titta's father, at his beachfront construction worksite and his and his workmates' encounter with Volpina; Titta's confessions to the priest about his burgeoning sexuality; Aurelio being questioned by authorities about his anti-Fascist leanings; a fantasy sequence at the luxurious Grand Hotel; a family outing with Aurelio's institutionalized brother, Teo; many townsfolk embarking on a sail to witness a marine event passing by their town; an annual car race; Titta's fantasy encounter with the tobacconist after closing hours come true; events surrounding the big snowfall that year, including a family tragedy; and an event centering on Gradisca and her future.
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