I feel sinister almost all the time, poet, like trespassing inside their minds like photographing them behind the shades like traveling beyond where things are safe
with my eyes and questions and poems
with my camera lens
and the click-clack of fingers moving across my computer keyboard
existing beyond where strangers should be allowed
existing beyond where strangers belong
existing beyond where its safe to let a stranger exist except in the coffee shop at the edge of the universe window booth watching existence pass by saturday morning and what’s left of friday night all night street prostitutes sitting with their coffee and their toast and their eggs over easy with bacon hair messy shirts undone cleavage showing in the coffee shop light
makeup running makeup faded makeup unacceptable in any mirror above the street but the coffee shop at the edge of the universe is the street, poet the coffee shop at the edge of the universe is the place in our minds where things are allowed
the coffee shop at the edge of the universe waits for candlelight and wine candlelight and coffee candlelight and freedom to wonder beyond the walls of tradition freedom to express freedom to think freedom to revolt against the strange corners they put us in freedom to challenge freedom to experiment freedom to absorb jazz like a sponge absorbs water freedom to film with our minds freedom to imagine freedom to praise freedom to attempt freedom to visualize freedom to be oriental in our thoughts freedom to move in silent dance freedom to scream freedom to rave-on endlessly as if in madness freedom to study freedom to fail freedom to communicate metaphorically freedom to communicate metaphysically freedom to use Japanese paintings in our poems freedom to be ritualistic freedom to be ceremonial freedom to understand solitude and potential freedom to be structured and organized freedom to understand that it’s that structure and that state of being organized that allows all freedoms that allows all philosophies that allows all stories to be told
use your talent to interview yourself, poet
use your talent to pose questions and then to answer those questions truthfully to answer those questions completely
use your talent as a darkroom to develop cerebral photographs
use your talent to whisper truths and half truths and quarter truths and falsehoods use your talent to mix magic with the light from a movie projector to mix magic with philosophy to mix magic with fantasy to mix magic with how we understand existence and how we appreciate existence’s warmth
use it poet use it like you have never dared before. then describe it for me, poet.
Freedom is the key thing. The biggest hurdle a lot of artists stumble on is their worrying, "what will they think". I think that keeps a lot of good art from being created. The Siskel and Ebert's out there surely do outnumber the ones brave enough to create.
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