Her Journey

In that unknown hour of night
A revered silence embraced the darkness
A flame ascends the womb of Sreesamma
Succumbing to the call of nature’s pain
She delivered a baby girl-Padmasini.
Sreesamma embraced her own self
Thanking the eternal realms above,
Casting an eye on the clouds above…
She prayed for wisdom to the new born divine.
The vital force of Padmasini burned alive
An immobile trans passed through her flesh
She communed with the sound of goddess
And she registered the sounds in Padmasini’s glowing soul
Sa Ri Ga Ma Pa Dha Ni Sa…….

Days sped with a content force
Nature took it’s course on Padmasini
Time hath come to fill the right hand force,
Marriage was written on the cards below.
At an age of sublime divinity, a toy she felt of sacred thread
Narasimhachar smiled at her innocence

She tied the thread with prayers in mind
To that beautiful shyness in Mandapa,
The clouds above stopped their march to gaze at her endless beauty.

A musical dream her father had,
veena was gifted in the hands of this divine
she plucked the strings with infinite grace,
a lightening struck the skies above.


Motherhood embedded in female’s life
Knowing this nature’s law -9 took shape in her womb.
An ardous craft took to bring them up,
In those expanding days and nights
A fire filled heart surrendered to veena’s strings,
Managing the house with graze envied…….
The labour started at Gandharva yama
And continued till dawn with lovable glory in her eyes,
In this limited time allotted.
With an ancient sweetness she plucked the veena
In this hectic task, solace was in veena force.

Dancing to the tunes she played
The butterfly found wisdom in her room
Laughing to the tunes she played
The jasmine haunted the room behind her hair
Muttered in beauty of ragas she played
The plants around smiled with tranquil goose bum
She played with grace, signaling god’s sound
The world watched with curiosity ……
Padmasini’s fingers obey the god’s order……..
~ ~ ~ ~ ~
Posted: Jan 2011
About this poem:
Musical Journey of Padmasini Narasimhachar

Padmasini Narasimhachar is a name that is synonymous with the world of veena players in Bengaluru. This flawless veena player was born on 1932 in Mysore, Karnataka to Sampath Iyengar and Sreesamma, a family that had musical syllables embedded in their daily life . Her father had prolific thala gnana to the extent that he used to play ghatam without formal training in the instrument .

She got married to Narasmihachar at the age of 12. Her formal veena training was instituted at the age of 13 under the guidance of Sreenivas Bhatt, after a short stint of 8 months with Sreenivas bhatt, she had further guidance from H.S Krishnamurthy. The call of mother hood came to her at the age of 16 and from then on she turned out to be the mother of 9 children.
Though the labor of managing a big family as a mother and also as a devoted wife was arduous, she never let lethargic values rule her world, rather was content with veena learning. Unlike these days machines did not support running a household, rather mothers of those days had to depend on traditional methods to ensure food and cleanliness in the household. The physical labour for running a household was a painstaking process, but to the credit of this mother of Nine, she found time for veena practice during the early morning hours between 3.a.m to 5.a.m and evening during 6.30 p.m -8.p.m. !
This thriving spirit of vision envisaged on the realms of music engulfed a tremendous energy on her, resulting in producing a fine veena player in the history of Carnatic music. Her first concert was on the auspicious day of Sri Rama Navami in Mysore. Mother has seldom given open consort’s, rather was more content in passing on her authentic, traditional and rhythmic classical knowledge to seekers of Carnatic music which continues till date. However she always performs during Thyagaraja Aradhana as a tribute to her Guru. For almost 30 years she passed on her knowledge in an institute – Shree Sarada Sangeetha Vidyalaya, with almost 60-70 students attending the classes every year. These students were trained from Junior Veena to Vidwath Examination.
Her commitment and dedication to veena is beyond words and the hardships passed through in obtaining this godhead knowledge are enviable. Padamasini Narasimhachar puts her knowledge filled wisdom in simple words ‘I do not know from where I drew the strength to manage such a big family & play veena. It was not done with any materialistic intentions but was done only with the sheer passion for wisdom. Without the blessings of Perumal it wouldn’t have been possible – I am thankful to him”.
It’s this sheer surrender, passion and bhakthi for the divine instrument that lifts her status quo in this planet. A status quo of godliness envisaged by many……..

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Comments (4)

Fellsman
Flowing epic poetry honouring a remarkable lady: Both the poem and the following explanatory narrative give Western eyes a rare insight into Eastern culture which is both fascinating and educational.

A terrific write, Hariksna!

Best wishes

Fellsman
stillframe
very nice my friend
Ladybee42
Hi there Hariksna, lovely post full of the spirit of Padmasini. I will go on to you tube and look up the veena instrument, I know it looks like the sitar but that's all.
Thanks for making such a detailed post and sharing this with us here. thumbs up thumbs up bouquet bouquet
hariksna
Thank you all....yes the words above are inadequate to express the actions of this living soul....may the ethereal bless her with more life and health...
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