One of the outside vendors tried to sell me a 16" Tiffany style Swag lamp shade for 50 bucks. One of the glass pieces (a green pear) had been re-attached with JB Weld. That is a form of Epoxy commonly used by Mechanics. The seller said just put that part toward the wall. Well, being as this lampshade was meant to hang from the cieling typically over a table there would be no wall to hide the sloppy repair attempt. He kept hammering me and dropped down to 20 bucks before I decided to end the haggle and say so long. I'm wondering now if maybe I should have just bought it and repaired the shade myself. I'm not new to working on stained glass. It would have represented at least 5 hours of tedious work to get it done right and I wasn't in the mood to invest that much energy in something that probably wasn't worth much over 50 bucks. Besides that I haven't done stained glass in about 30 years.
ooby_dooby: One of the outside vendors tried to sell me a 16" Tiffany style Swag lamp shade for 50 bucks. One of the glass pieces (a green pear) had been re-attached with JB Weld. That is a form of Epoxy commonly used by Mechanics. The seller said just put that part toward the wall. Well, being as this lampshade was meant to hang from the cieling typically over a table there would be no wall to hide the sloppy repair attempt. He kept hammering me and dropped down to 20 bucks before I decided to end the haggle and say so long. I'm wondering now if maybe I should have just bought it and repaired the shade myself. I'm not new to working on stained glass. It would have represented at least 5 hours of tedious work to get it done right and I wasn't in the mood to invest that much energy in something that probably wasn't worth much over 50 bucks. Besides that I haven't done stained glass in about 30 years.
try fixing this quote thing before you fix any bloody lamp , were you trying to find another wooly jacket to replace the one you sold before the next ice age starts ?
ooby_dooby: One of the outside vendors tried to sell me a 16" Tiffany style Swag lamp shade for 50 bucks. One of the glass pieces (a green pear) had been re-attached with JB Weld. That is a form of Epoxy commonly used by Mechanics. The seller said just put that part toward the wall. Well, being as this lampshade was meant to hang from the cieling typically over a table there would be no wall to hide the sloppy repair attempt. He kept hammering me and dropped down to 20 bucks before I decided to end the haggle and say so long. I'm wondering now if maybe I should have just bought it and repaired the shade myself. I'm not new to working on stained glass. It would have represented at least 5 hours of tedious work to get it done right and I wasn't in the mood to invest that much energy in something that probably wasn't worth much over 50 bucks. Besides that I haven't done stained glass in about 30 years.
Just go to Walmart Ooby, they have some lovely Chinese stuff there If you want to tinker for hours, find yourself an early sixties Hillman Imp
Ccincy: It's buyer beware Ooby cause obviously people will try to pass off a piece of junk and claim that it is real.I would had just walked away.Less stress.
While the next visit may land the real deal. One of the many reasons why I try to follow my instincts.
pedalguy59: Just go to Walmart Ooby, they have some lovely Chinese stuff there If you want to tinker for hours, find yourself an early sixties Hillman Imp
What do you know about an Imp? I put a clutch in one of those abortions and never wanted to go near one again. The Hillman Imp became the Sunbeam Imp. Did you know that a Sunbeam Imp was the first car to set a cross country speed record? "Rosenthal, S. N.Y.C. to L.A. in 48 hours / Stanley Rosenthal (text and photos); film by Ansco. - American Rodding 1964, August. - p.40-45 A Sunbeam Imp sports sedan (ZT-86-20) completes the First American Rodding Magazine sanctioned endurance run and sets a world's record in the process, covering 3,011 miles in 48 hours, 9 minutes, 54 seconds at an average speed of 63.7 mph. August 12 - 14, 1964; New York, N.Y. to Los Angeles"
This was what started the the "Cannonball" cross country races. Not to mention a bunch of Burt Reynold movies. The latest one was run in something like 28 hours.
one of the hazards of flea markets / garage sales... buying things for projects to put with the things you bought as projects last year and still havent got round to doing anything with!! that way lies hoarding !!
Brannigan70Yellow Brick Road , Manchester, Mayo Ireland2,339 posts
ooby_dooby: One of the outside vendors tried to sell me a 16" Tiffany style Swag lamp shade for 50 bucks. One of the glass pieces (a green pear) had been re-attached with JB Weld. That is a form of Epoxy commonly used by Mechanics. The seller said just put that part toward the wall. Well, being as this lampshade was meant to hang from the cieling typically over a table there would be no wall to hide the sloppy repair attempt. He kept hammering me and dropped down to 20 bucks before I decided to end the haggle and say so long. I'm wondering now if maybe I should have just bought it and repaired the shade myself. I'm not new to working on stained glass. It would have represented at least 5 hours of tedious work to get it done right and I wasn't in the mood to invest that much energy in something that probably wasn't worth much over 50 bucks. Besides that I haven't done stained glass in about 30 years.
Hagglin's all part of the joy , nice to browse around too Ooby
ooby_dooby: One of the outside vendors tried to sell me a 16" Tiffany style Swag lamp shade for 50 bucks. One of the glass pieces (a green pear) had been re-attached with JB Weld. That is a form of Epoxy commonly used by Mechanics. The seller said just put that part toward the wall. Well, being as this lampshade was meant to hang from the cieling typically over a table there would be no wall to hide the sloppy repair attempt. He kept hammering me and dropped down to 20 bucks before I decided to end the haggle and say so long. I'm wondering now if maybe I should have just bought it and repaired the shade myself. I'm not new to working on stained glass. It would have represented at least 5 hours of tedious work to get it done right and I wasn't in the mood to invest that much energy in something that probably wasn't worth much over 50 bucks. Besides that I haven't done stained glass in about 30 years.
Sorry oooby I read wrong and thought you meant a lamp.
epirb: try fixing this quote thing before you fix any bloody lamp , were you trying to find another wooly jacket to replace the one you sold before the next ice age starts ?
ooby_dooby: One of the outside vendors tried to sell me a 16" Tiffany style Swag lamp shade for 50 bucks. One of the glass pieces (a green pear) had been re-attached with JB Weld. That is a form of Epoxy commonly used by Mechanics. The seller said just put that part toward the wall. Well, being as this lampshade was meant to hang from the cieling typically over a table there would be no wall to hide the sloppy repair attempt. He kept hammering me and dropped down to 20 bucks before I decided to end the haggle and say so long. I'm wondering now if maybe I should have just bought it and repaired the shade myself. I'm not new to working on stained glass. It would have represented at least 5 hours of tedious work to get it done right and I wasn't in the mood to invest that much energy in something that probably wasn't worth much over 50 bucks. Besides that I haven't done stained glass in about 30 years.
Although I do "get" the droll adage "Time is money", it is often not so very applicable. The repair of an old antique/lamp/instrument, etc... is part of the process, and not to be factored in as "lost", per se. Something is gained in the satisfaction of the effort. If I ride my bicycle or walk for two hours, I cannot expect to get paid $ because of the time I spent. If I visit a sick friend in the hospital, and the day costs me four or five hours, I cannot expect to be paid $ because I 'lost' time. I just spent parts of two days painstakingly fixing a worn, but still very comfortable, pair of walking shoes. I probably could have found another pair not needing repairing, that is not the point. It has to do with self-reliance. I do not think it is reasonable to expect to find perfect items at flea markets. Part of the whole schmear is to find unusually neat finds, and then do the repairs if you can. I believe this needs to be looked at differently. JMO
twazzle70THE GORGOYNES......, East Riding of Yorkshire, England UK689 posts
If i liked the lampshade i would have bought it and done the repair work on it no problem.. As long as the repair wasnt going to be too costly. The time spent in doing the repair i dont see as an expense personally.
But thats just me,,,repairing items is something ive done all my life.. The satisfaction of restoring something to its former glory is reward enough if you like the said item.
I would have offered him ten or fifteen bucks for it.....I believe..
I hear what you guys are saying and I don't disagree, but this particular lamp shade was probably made in China in any case it was definetly not traceable directly to Tiffany if it were I would have it right now. Who knows I may just meander back to the venue next weekend and get it, I'm pretty sure it will still be there and if not, oh well.
The Imp use the all aluminium Coventry Climax engine, a fantastic engine. Was the first car I used for competitive racing.
Name: Coventry Climax Ltd.
Established in 1903 by former Daimler engineer Pulham Lee to design engines for small car companies and for specialist applications, Coventry Climax first became well known for supplying motors for the tractor used by Sir Ernest Shackleton's Antarctic Expedition in 1914. After World War I the company began supplying engines for small car companies such as Clyno and in the 1930s expanded to include Triumph, Morgan and Standard. The economic problems of the 1930s hit the business hard and Leonard Lee, who had taken over from his father, diversified into the production of water-pumping equipment for fire brigades.
After World War II the Ministry of Defence changed its requirements for fire-pumps, demanding a faster flow and lighter weight. In 1950 Leonard Lee hired Jaguar engine designer Walter Hassan to design a new pump and he produced the 1020cc Feather Weight engine, known as the FW. The engine was displayed at the Motor Show in London and attracted attention from the motor racing fraternity. Lee concluded that success in competition would lead to more customers for the company and so Hassan designed the FWA, a feather weight engine for automobiles. The first Coventry Climax racing engine appeared at the 1954 Le Mans 24 Hours in the back of a Kieft chassis but this failed to finish the event. The engine became popular in sportscar racing and was followed by a Mark II and then by an FWB which had a capacity of nearly 1.5-liters. The new Formula 2 regulations suited the 1.5-liter engine and it quickly became the engine to have in F2. The following year the first Climax engines began to appear in Formula 1 in the back of Cooper chassis. Initially these were FWBs but the FPF engine followed. Stirling Moss scored the company's first Formula 1 victory in Argentina in 1958, using a 1.9-liter version of the engine. In general terms, however, the engines were not powerful enough to compete with the 2.5-liter machinery and it was not until the 2.5-liter version of the FPF arrived in 1959 that Jack Brabham was able to win the World Championship in a Cooper-Climax. At the same time the company produced the FWE engine for the Lotus Elite and this enjoyed considerable success in sportscar racing, with a series of class wins at Le Mans in the early 1960s.
In 1961 there was a new 1.5-liter formula and the FPF engine was given a new lease of life, although the company began work on a V8 engine, designated the FWMW, and this began winning races in 1962 with Jim Clark. There would be a total of 22 Grand Prix victories before 1966 when the new 3-liter formula was introduced.
At the start of that year Coventry Climax embarked on a V16 engine but it was not a success and eventually the company announced its withdrawal from F1. The company passed on its old engines to Bob King's Racing Preparations in Wembley and Climax engines continued to appear in 1967 although the arrival of the Cosworth DFV marked the end of Climax's F1 history.
Coventry Climax had been taken over by Jaguar Cars in 1963 but in 1968 Jaguar became part of British Leyland and Coventry Climax became part of the Special Products Division, building engines for fork lift trucks and for military uses, notably the Chieftain tank. In 1986, Coventry Climax was put into receivership. The factory in Coventry was closed and the engine contracts were passed on to Horstman Defence Systems.
felixis99: flea markets give me stress headaches. hate the damnable things so I think ya did right by shufflin' on
I DO hear you! For every one good item, there are 500 pieces of u-no-whut. But I still go to them occasionally, and I have about seven things in my house from them. But flea markets aren't dependable , you have lots and lots of crappola.
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